Teeth #1 (It was possible to feel the pain of the world)

AMY WILSON

exhibitions
Choplogic
Amy Wilson
The Armory Show 2005
NADA Art Fair 2004
Hello Chelsea
The Armory Show
 
I don\'t think anyone knows what they really look like Postcard series (That was the overwhelming message I received) Postcard series (the image of Valie Export encased in a box) Postcard series (What exactly do we mean when we speak of freedom?) Teeth #1 (It was possible to feel the pain of the world) Teeth #2 (The things we did to placate our guilt) Teeth #3 (Sheer willpower) The punch and the slap Transparency (Spring came finally) I Would Rather Argue With the Living...(Twombly/Dinosaur Bones) It Was The First Lie I Ever Remember Being Told (Barnett Newmann/Jeff Koons) Museum Visit #2 (This is the Image I Wanted to Hold in My Head/Madame X) Museum Visit #3 (I Saw Them Both as Expressions of Grief/Chris Burden/Van Gogh) Museum Visit #4 (Glee/Puppy) Museum Visit: Camp-Out (I guess I was becoming increasingly unsure/Philip Guston) Museum Visit: Catching Butterflies (Art never pretends to have the answers/Ed Ruscha) Museum Visit: Forever (This is what all memorials to war should be/Eva Hesse) Museum Visit: Picnic (Hope is a mustard seed/Wayne Theibaud) Museum Visit: Pillow Fight (Self-sufficiency felt good/Ingres) Museum Visit: Windowsill (Everyone seemed like a potential victim/Jenny Holzer) Museum Visit #1 (How Did He Have This Prescient Moment So Long Ago/Brillo Box) Museum Visit: Beauty Contest (Misery is a luxury most of us can\'t afford/Florine Stettheimer) Museum Visit: Easter (Things seem to crystallize for me into two camps/Paul McCarthy/Faberge egg) Museum Visit: Installation (It was more about internalizing everything/Dana Schutz) Museum Visit: Sandcastle (Every authentic painting demonstrates a collaboration/Paul Gaugin) Silence Seemed Like a Curse (Duchamp/Johns/Pollock/Brancusi) The Prison I Built (Vanessa Beecroft) All Americans Have Witnessed This Idealism Assasination Collusion (This Researcher Contends) Empty (from the series, "The Value of Indebtedness") Fact (one of the slogans you hear a lot these days) From the series "The Global Appeal of Liberty" Grief (it was palpable and I felt it was poured from one person to the next) History (I thought of the Suffering of a People whose Country was in Ruins) It\'s Hard to Predict the Future Sanctuary Terror Becomes an Addiction Blue/Red From the series "The Legitimacy of Virtually Every Social Institution" From the series "The Legitimacy of Virtually Every Social Institution" Watching the Funeral on TV We Can Leave Today, of Our Own Free Will, Whenever We Want We Know It. We See it Anecdotally. Discovering the Body Gluttony The Crystal City/Gutting the Fish "It\'s Called Militarism" "Misery/Regret" "Simple Folk 2" "So Take Simple Cases, Take the Russian Invasion of Afghanistan" "The Descent into Chaos" "Truth" A Glimpse of What Life in a Free Country Could Be Like Awake from Your Slumber Behold Destination Everywhere Defeat Fervor I\'m Not Sure They Know History Though Invasion Memory (They were not human beings. They were obstacles to the exorable triumph of American virtue) Monster (The Last Best Hope for Us All) National Security/Surveillance Political Theater Sleep Temporary Victory/Security "C.I.A. "Isolation" "Resistance" "Simple Folk" A Grievance Must Be Created Fear/Panic From Whence Untitled (Girls Drowning) A call to rise up, from the series, "The Inevitability and Predictability of Current Events" Building the city, from the series, "The Inevitability and Predictability of Current Events" Captive, from the series, "The Inevitability and Predictability of Current Events" Caught, from the series, "The Inevitability and Predictability of Current Events" Celebration, from the series, "The Inevitability and Predictability of Current Events" Controlled situations, from the series, "The Inevitability and Predictability of Current Events" Floating, from the series, "The Inevitability and Predictability of Current Events" In waiting, from the series, "The Inevitability and Predictability of Current Events" Invasion, from the series, "The Inevitability and Predictability of Current Events" Recruitment, from the series, "The Inevitability and Predictability of Current Events" Sacrifice, from the series, "The Inevitability and Predictability of Current Events" Toppled, from the series, "The Inevitability and Predictability of Current Events"

RESUME

BIBLIO-
GRAPHY

PRESS
RELEASES

INSTALLATION VIEWS

ARTIST
NEWS
Solo
2008 Jersey City Museum, Jersey City, NJ
2005 The Global Appeal of Liberty, Bellwether, New York, NY
2005 ARTIST's OFFICIAL WEBSITE
Selected Group
2007 Talk to Me, Contemporary Arts Center, Cincinnati, OH
2007 "Still Missing: Beauty Absent Social Life", Westport Arts Center, Westport, CT
2006 "The 'F' Word," Andy Warhol Museum, Pittsburgh, PA
2006 Choplogic, Bellwether Gallery, NY
2006 "Table Top", Josee Bienvenu Gallery, New York, NY
2006 "Only the Paranoid Survive", Hudson Valley Center For Contemporary Art, Peekskill, NY
2006 "Still Missing: Beauty Absent Social Life", Visual Arts Museum, New York, NY
2006 Headlines, Pierro Gallery, South Orange, NJ
2006 Among the Trees, Visual Arts Center of NJ, Summit, NJ
2006 Tropicalism, Jersey City Museum, Jersey City, NJ
2005 Greater New York, P.S.1/MOMA, Long Island City, NY
2005 'The Most Splendid Apocalypse," Curated by Jason Murison, P.P.O.W., New York
2004 Roads and Pastimes, Buzzer Thirty, Queens, NY
2004 Hello Chelsea, Bellwether, New York, NY
2004 Talespinning, The Drawing Center, New York, NY
2003 Brave New World, OIA, New York, NY
2003 Transgressing Boundaries, Paint Gallery, Brooklyn, NY
2002 Into the Woods, Julie Saul Gallery, New York, NY
2002 The June Show, Bucheon Gallery, San Francisco, CA
2002 INBOX vol. V, Universal Concepts Unlimited, New York, NY
2002 Annual, Jersey City Museum, Jersey City, NJ
2001 Fast Forward Miami, Bellwether booth, Miami, FL
2001 "Jeanne Lorenz/Sarah Bedford/Amy Wilson," Bellwether, Brooklyn, NY
2000 "Kosmobiologie," curated by Nancy Chaiken, Bellwether, Brooklyn, NY
2000 "The UFO Show," curated by Barry Blinderman and Bill Conger, University of Illinois at Normal/Bloomington. Travels to University of Colorado, Colorado Springs; Arts and Science Center for Southeast Arkansas, Pine Bluff.
2000 Flat File, Bellwether, Brooklyn, NY
2000 The Meat Market Art Fair, Bellwether booth, New York, NY
2000 INBOX vol. II - IV, Sleep Gallery, Brooklyn, NY
1999 Artists Books and Multiples '99, Brooke Alexander Editions, New York, NY
1999 Sightings, Gwenda Jay/Addington Gallery, Chicago, IL
1999 "The Artist in the Marketplace," Bronx Museum of Art, Bronx, NY.
1998 Ground Control, Brooklyn, NY
1997 MFA Thesis Show, Yale University, New Haven, CT
1997 Selections from Rutgers and Yale, Rutgers University, New Brunswick, NJ
1996 Curve, Real Art Ways, Hartford, CT
1996 Enterprise Zones, Spot, New York, NY
Residencies
1999 The Artist in the Marketplace, Bronx Museum of Art, Bronx, NY
Education
1997 MFA in Sculpture, Yale University
1995 BFA in Fine Arts, School of Visual Arts